From left, Andersen, Elfman, Yazbeck.Photos: Patrick McMullan (Andersen), Getty Images
We imagine a smart, well-researched, bitingly clever musical with swirling, inventive music. Would Andersen agree with that heady take? We called him to find out. (We can do that, because, after all, he writes for us.) “We really want to not have it be conventional in any sense,” he said, adding (when pressed, we should say) that he can kinda see Hugh Jackman in the role of the self-chaining, self-entombing, life-risking, mother-obsessing, self-inventing Jewish magician who took an exotic-sounding Italian-type name and became the turn of the century’s closest thing to an international superstar. Kind of like Matthew Barney today, right? “That’s an interesting comparison,” Andersen said. “Maybe if he were a person that walked in the street and everybody recognized him and there were front-page articles in the New York Times about him, I guess. And if he were risking his life in those films.” —Tim Murphy
Houdini, with Score by Elfman and Yazbek, Aiming for Broadway Arrival in Spring 2010 [Playbill]
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